Affichage des articles dont le libellé est art. Afficher tous les articles
Affichage des articles dont le libellé est art. Afficher tous les articles

mercredi 13 janvier 2010

The Jewish Bride





This is one of my favourite painting by Rembrandt, The Jewish Bride. I love the way the man looks at his bride, the way he puts his hand on her heart. When I look at this image, I feel a quiet sense of content seep through me again. Rembrandt has the most wonderful way with light and darkness, and when I stare long enough, I get that dizzy sensation of passing from a darkened room to a garden in summer. At first you blink and there is almost pain, and suddenly vividness becomes pleasurable. The smells of August fill the air, and the low humming of creatures makes you walk that much slower.

This painting makes me more aware of other people's body language.


I always wonder what keeps long-term relationships going. I wonder if it's that look, that hand, that infinite trust, that keeps the light from being swallowed by dusk. Maybe it's finding a person that gives you that funny, heart-twisting splash of sensations.

I love that painting.

dimanche 6 décembre 2009

Museums go with ice-creams.

When I was a school girl, my sister and I would get Wednesday off school (but we had to go to class on Saturday morning). Every Wednesday, one of our parents would take us to visit a museum. This tradition stopped when I turned 10, because of choir practice, judo classes and all the musical activities my sister was doing, but for five years we would trot off, wrapped in thick winter coats or clad in summer dresses, to go to a museum. My father is an art historian (and my sister wants to be one as well), so he enjoyed taking us to galleries, wheareas my mother, also an art afficionada, was always happy to mix things up a little with science or zoological museums.

It never lasted very long. We weren't allowed to scream, run or make any kind of disturbance, so my parents understood that more than an hour would have made us implode with repressed energy. Museums for me are still sacred ground, echoing the slow footsteps of visitors, a place where you can't talk above a whisper. Paterfamilias would give us technical explanations: how did Rembrandt do his engravings? Why was the blue paint faded? How did apprentices rise up in the ranks? Who commissioned those murals?

My mother is a born story-teller and we would listen to the Greek myths, the Biblical episodes and try not to giggle, because she always added hilarious details. "Do you know who the naked lady is?" she would ask in front of stunned visitors, who then heard my then 5-year old sister make a speech on Helen of Troy.

I have wonderful memories of my first modern art exhibit, during which my aunt stared at a blank canvas entitled "White on White" and told me it was beautiful. My sister and I exchanged bewildered glances, wondering if we had an eyesight defect.

Another time, my father who is a very diffident man with British reserve, took us to the Museum of Mankind in Paris, where there was a special exhibit on demography. My sister (age 7)and I (10) took a test to guess how many children we would have.Among other fun activities, we had to chose between methods of contraception. She chose condoms, and had her chosen number of children, and I chose "withdrawal", wondering what this might mean, and discovered I was destined to have thirteen children. My poor father did not enjoy the walk home after that visit, so full of embarrassing questions were we. "Papa, how do you get vasectomies?"

After museum time, we would have hot chocolate or ice-cream. To this day, after a show or an exhibit, I long for ice-cream. It's become a reflex. Ice-cream goes really well with culture for some reason. I'm a Stracciatella girl, but I've b known to indulge in strawberry sorbet. When the family travelled in Italy, you can imagine the amount of Gelati devoured.

This summer my sister came with me to Berlin and took me to one of the art galleries. She explained many of the paintings to me, in a very didactic way, making connections between painters, telling me about the classes she had followed on such and such, and it was such fun to have a recreation of our childhood.

Whenever I see bored kids in museums, I yearn to take them with me to a fun section, sit them on my lap and tell them all the funny secrets behind the canvases or the sculptures. Like everything, art can be intimidating or boring until you meet a wonderful teacher who opens your mind.

I still don't get blank canvases though...

lundi 22 juin 2009

Clearing stuff away

Tidying my room...
I have a room just under the roofs, with my own bathroom and a piano. I have most of my art on the wall, mostly XIXth century engravings and a few reproductions, but also gifts from my sister and neighbour, talented artists. I have a bedside table, which I should replenish with single girl fun stuff (but only after my devout Muslim friend N comes for a visit...) and books everywhere, but no longer on the floor. My desk is empty of crap, and I've stored all the funny, romantic letters and postcards I've gotten along the way in a box at the bottom of a cupboard, to read when I'm ready.
I feel so much better.

My most precious item is probably my inflatable moose head, which has followed me from Chicago to Paris, and hopefully to Berlin. And next to it there is the letter S, spray-painted blue with my ex at a time where I was pretty blue, and my father was dying in the hospital. I'd get hopped up on sleeping pills and try to jump on X and fall asleep in the middle of it.

See! I'm laughing about all these memories.

My first boyfriend never spent any time at my place, because he felt uncomfortable here. So no memories there.

Here's to a year of good living, money saving for travel and happy studies.